Solitary walkers, sigma men and the noble lineage of the street photographer
Being a flaneur in these radical times where distance from others has become a standardization value, but more for a fucking fear of dying and for being bastards. While we, lonely men, have been lonely for unsuspecting times and not out of fear of dying or suspicion of others.
The idea of loitering is very present when we talk about the flaneur. Encyclopedias identify him as a sort of loiter, one who wanders aimlessly. Little is worth how much literary dignity this figure possesses.
FLANEUR
A "flâneur" is a term that originated in 19th-century French literature and refers to an individual, typically a man, who strolls or wanders through urban spaces with a sense of detached observation and leisurely contemplation. The flâneur is characterized by a deliberate aimlessness, often observing the bustling city life, architecture, and the people within it, without necessarily participating directly in the activities around them. This concept is often associated with notions of urban exploration, intellectual curiosity, and a certain detachment from the hurried pace of modern life. The term has been used to explore themes related to urbanism, modernity, and the individual's relationship with the city.
SIGMA MALE
The concept of "sigma male" is a relatively recent idea that has gained popularity in online discussions, particularly in discussions about masculinity and social dynamics. However, it's important to note that the concept of sigma males is not widely recognized or supported by traditional psychology or sociology.
In this context, a "sigma male" is often portrayed as an archetype that falls outside the traditional hierarchy of social dominance that is commonly associated with concepts like "alpha" and "beta" males. Sigma males are typically described as individuals who are introverted, self-reliant, and independent. They are said to possess traits such as a strong sense of individuality, introspection, and a tendency to go their own way rather than seeking or desiring social validation or approval.
Unlike alpha males, sigma males are thought to reject or be indifferent to traditional forms of social leadership or attention, instead choosing to focus on their own pursuits and goals. They may be charismatic and capable of social interaction, but they often prefer solitude or smaller social circles.
It's important to recognize that the sigma male concept is largely anecdotal and doesn't have a basis in established psychological or sociological theories. It's a concept that has been perpetuated and discussed primarily in online communities and pop culture. As with any such concept, it's important to approach it critically and consider the broader context of social dynamics and individual personalities.
THE STREET PHOTOGRAPHER
A street photographer, embodying the spirit of a "flâneur," roams the bustling urban landscapes with an observant eye and a leisurely demeanor. Like the quintessential flâneur, the street photographer embraces the art of strolling through city streets, finding inspiration in the rhythm of life, architecture, and the diverse tapestry of people who pass by. With a keen sense of detached observation, the street photographer captures candid moments, freezing snippets of daily existence into visual stories that reflect the vibrant pulse of the city.
In a manner akin to the characteristics of a "sigma male," the street photographer exhibits independence and individuality. Preferring solitude or the company of a select few, they find their creative drive within, often distancing themselves from the conventional social hierarchy. With a self-reliant spirit, the street photographer explores uncharted alleys and hidden corners, seeking authentic experiences rather than seeking external validation or acclaim. Their introspective nature fuels their ability to capture emotions and narratives that resonate deeply with viewers, showcasing their unique perspective on the world.
Ultimately, the street photographer's synthesis of a flâneur's observant wandering and a sigma male's self-reliant introspection results in evocative and thought-provoking photographs that provide glimpses into the heart of urban existence while maintaining a distinct individualistic approach.
SOME CONSIDERATIONS TO DO
Already from this we can understand how the character in question is not only an artistic or literary model but a hybrid and versatile figure, related to that of the sociologist, if not even the anthropologist or historian. Indeed, in the gaze of the flâneur, the study of human behavior in the metropolitan environment goes far beyond mere loitering. What appears to the common eye as idleness is instead a real discipline to be learned in the beating heart of the metropolis, a constant training of the gaze to achieve vigilant attention to everything that happens in the urban space; in a certain sense a job, but a job that is completely extraneous to the dominant capitalist productivity model and its alienating rhythms. Source: Oubliette Magazine - Pietro Pisano
In our nature as street photographers, our natural condition is to walk (wander?) through the city alone and with our camera. The medium, that of the camera, is in itself a distance reducer with respect to people. The very fact that they see us with a camera exposes us to the gaze of others, let's imagine ourselves when we approach and take a photo of someone. This fact makes the experience of the flaneur photographer dichotomous as he is not only a walker but also one ready to perform an action, the photographic one, which in a certain way communicates something to others. While the quirky flaneur is one who stays about his own business (although he may have an observant attitude) the flaneur photographer is one who just wanders but exposes himself at the same time.
Thus, the value of the metaphysical experience of wandering is combined with photographs that can bear witness to this solitary experience. And photography, in a way, is always an affirmation of solitary nature. I can also be accompanied while I take pictures, but the moment I take the picture, put my eye in the viewfinder or simply look in front of me, point and shoot, I'm alone.
1. Solitude in Observation
As a solitary street photographer, I navigate the urban landscape as an outsider looking in. This solitude can be both liberating and isolating. It allows me to focus on your surroundings without distractions, enabling me to notice subtleties and moments that might go unnoticed in a more crowded setting.
2. The Observer's Paradox
While I maintain a sense of solitude, my role as an observer brings me into the lives of my subjects in an intimate yet distant way. I am present in their world for a fleeting moment, capturing their essence without direct interaction. This paradoxical connection—existing in isolation while connecting with others—can lead to a unique emotional experience.
3. Unspoken Bonds
The act of photographing someone is a silent exchange of energy. While I may remain physically alone, my camera becomes a bridge betweenme andmy subjects. I am documenting their presence, their emotions, and their stories without direct verbal communication, creating an unspoken bond that transcends words.
4. Reflection and Introspection
The solitary nature of my photography experience can encourage introspection. The scenes I capture might mirror my own emotions, desires, and moments of solitude. This self-reflection can deepen your connection to my subjects and infusemy photographs with a personal touch.
5. Loneliness vs. Empathy
Whilemy photographs might depict people in isolation, they can also serve as a testament to shared human experiences. My ability to capture these moments with sensitivity can evoke empathy in viewers. My role as both an isolated observer and a relatable storyteller can transform loneliness into a universal human thread.
6. Silent Narratives
My photographs become narratives of the human experience, conveying stories that are both individual and collective. The people I capture become characters in the larger story of the city, and my unique perspective as a solitary photographer adds depth to the visual storytelling, adding a metaphysical perception to the experience and the generated results.
In summary, as a solitary photographer capturing images of people in urban environments, I am navigating a space where solitude and connection intersect. My experience as an observer brings an emotional and empathetic layer to my work, allowing meto show human experiences that resonate with a wide audience. Through my lens, I am not only documenting moments but also explore the intricacies of human existence and the shared thread that binds us all.
In essence, being a solitary street photographer is an exploration of solitude and connection, of isolation and unity. It's a creative endeavor that allows us to capture not just images, but the very essence of the human experience.
My job is this
wander aimlessly
with a camera
letting myself be guided in places by light and by instinct
without a real defined route
but rather to feel, warn where it might be better to go
because the journey is always better than the arrival
