This series was shot entirely with an iPhone 8.

In the age of computational photography, we’ve been taught to believe that images must be clean, flawless, and technically perfect. In some ways, even more so than photographs made with traditional cameras.

This selection moves in the opposite direction.
Not out of nostalgia, and not as a provocation, but to restate a simple idea: content and aesthetics don’t come from the tool, they come from the author’s mind.

Here, the phone is neither a shortcut nor a limitation. It’s just a tool, placed at the service of an intention.
Imperfections remain. Compromises remain. That’s where the images begin to breathe.

These photographs are not meant to show what an iPhone can do.
They are meant to show what a way of seeing can do, even when everything around us pushes toward visual uniformity.