No Event Photographer

“I believe the ability to see the strange world is hidden in every person” – Bill Brandt

I increasingly find myself thinking that my work doesn't sit well with photographing events as they unfold. I elaborate a bit on this concept in this new video on the channel:

I believe I embraced the philosophical approach of the New Topographics, as well as the lessons learned long ago from masters such as Luigi Ghirri, Gabriele Basilico, and Guido Guidi. For this reason, I have always felt uncomfortable with the idea of ​​a story contained within a single shot. That demand for a narrative has never really appealed to me—and, in fact, I often shy away from it.

And perhaps that is precisely why I have always felt somewhat compelled to cover breaking news.

Yes, of course, as an editorial photographer, I do find myself shooting on assignment right where the action is taking place, but I have never believed that photography can be reduced merely to moments when something is happening. And even when I have to take photos, surrounded by so many other photographers, I tend to look away. In a different part where apparently there is nothing.

Nothingness.

Qualsiasità.

After all, I go out to photograph without expecting there to be anything specific to photograph.

I don’t head out with my camera to go where the action is.

I am more of a flâneur who wanders with a camera, photographing himself through the world around him.

To be honest, I wouldn't even feel like a photographer if I only took pictures at events like everyone else. What difference would there be, then, between me and someone who goes to Gay Pride, Carnival, or a military parade and snaps photos with their phone?

No, I need to take photographs precisely where there is nothing or rather, where I am the only one who finds something. And it has nothing to do with whether a place is isolated or bustling, since I often find myself in crowded locations, too. I am talking about a way of observing and selecting what interests me, things that others often don't even see. No "monkey-see-monkey-do" syndrome for me. If I see someone taking a picture of something, I steer clear of that very thing.

Here we go, with a small series made yesterday…

Alex Coghe

Alex Coghe is an Italian editorial and documentary photographer based in Mexico City. His work explores contemporary life, culture, and human presence through documentary photography and portraiture. His images have appeared in international publications, reflecting an approach centered on authenticity, atmosphere, and visual storytelling. Alongside his photographic work, he also leads workshops and masterclasses focused on photographic narrative and observation.

https://alexcoghe.com
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