This series explores the visual and conceptual potential of diptychs created entirely in-camera using a half-frame camera. Each image pairs two adjacent exposures - captured seconds apart - creating spontaneous relationships between space, gesture, and time. The resulting compositions challenge linear narrative, inviting viewers to consider the tension, harmony, or accidental poetry between frames.

Straight from the camera, the photos of this work embraces imperfection, serendipity, and the rhythm of street life. From urban geometry to intimate portraiture, HALF FRAME is a fragmented diary, where the frame is both a limit and an invitation to see beyond.