10 13 25

Here I propose an exhibition of my work in progress

Working in manual focus gives your images a different aesthetic. The way the lens renders details, especially the microcontrast, feels more natural, more organic. There’s a subtle imperfection in the focus transition that adds depth and texture, creating photographs that breathe, rather than look digitally perfect. It’s a slower process, but that slowness becomes part of the image itself.

That is the main reason I made this choice for my photography. And let me say that I love the way I am working with my Sony…the LCD monitor turned off, the viewfinder on. I feel the experience more similar to the one I have with my rangefinder.

The lens mounted on my Sony is one of the cheapest lenses in history of photography, I think. But this 7Artisans 25mm 1.8 allows me to obtain that mood and a workflow that I love when on the street. It is pretty far to be precise. I have to check out everytime if the position of the focus distance is OK, but hey, I nail more photos in focus this way than with the AF lenses.

And when I don’t nail the focus, well…sometimes I still propose the image because there is a sense to do it, and the out of focus is in some way more organic than a AF out of focus image.

From the point of view of form and content this selection is a good representation of where is going my photography.

Alex Coghe

Alex Coghe is an Italian editorial and documentary photographer based in Mexico City. His work explores contemporary life, culture, and human presence through documentary photography and portraiture. His images have appeared in international publications, reflecting an approach centered on authenticity, atmosphere, and visual storytelling. Alongside his photographic work, he also leads workshops and masterclasses focused on photographic narrative and observation.

https://alexcoghe.com
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10 16 25

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New for 2026: Día de Muertos Expedition in Mexico City