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Again about the humanist approach in my photography
I was asked to go deeper into the humanistic aspects that inspire my photography. So I am answering to some questions.
How to do Street photos which are identifying the place
This is one of the major themes that I share with my students. In my Street Photography workshops we work to get photographs that will still make sense when the decades have passed.
Detective films fed my vision on the street
I have lived the metropolitan reality since I was a child. And my visions have always been influenced by what I saw on TV.
When a Street Photographer takes pictures at Christmas
I don't like taking classic photos at Christmas. Rather I ignore. But when I find something peculiar then yes.
Spider-Man, Manuel Alvarez Bravo and the memory
Memory is that thing that allows us to have the tangibility of being alive, of existing. Photography is an act aimed at memory.
A Street Photography workshop in Mexico is with me
The more than ten years of experience and the variety of the didactic proposal, with different types of courses and personalized formula on the needs of the student make my street photography workshops the best to do as an experience for photographers from all over the world.
A super busy market in downtown: how to photograph
Some photographers detest the markets. Because we think of cliche photos, full of clichés. And also because it is not easy.
Christmex time
This is the thirteenth consecutive year that I spend Christmas outside Italy. Even though my life is here I can’t forget the Christmas holidays in my native country.
Action! Just myself shooting on the streets
I am not a photographer appearing a lot in person…I should do more, like someone said me.
Why you should photograph your neighborhood
One of the things I've noticed, common to many street photographers, is that they don't photograph in their neighborhood. Or at least, they rarely feature pictures of where they live.
The magazine, Leica and me
Do you want to have the last issue of the year including my work for Leica Camera AG?
The photograph you don't expect
I spent three years taking unexpected photographs. I made them in the heart of that project called AMERICANA which led me to exhibit my work for the first time in the center of Mexico City.
Maybe a new project has started
Something says me that I am seeing the birth of a new project…
When the importance of the personal diary prevails on the heavily curated sharing
There is no better approach than another.
The rules and the unwritten code on the street
I pass and I am called by a group of street guys. They greet me and I do the thumbs up so when one of them asks me for a photograph: una foto para el face!
I already know I can’t refuse.
Technique is easy, Storytelling is the challenge.
Garry Winogrand said you can learn the technique in 2 hours, the difficult is to tell a story in a image. Of course, I agree.
