With over 10 years of experience as a professional photographer I want to have my say on cameras.

One of the most frequent complaints about contemporary photography is that we’re flooded with a constant stream of images, most of which don’t deserve our attention. The very nature of how we "feed" with images has in fact changed, with most people no longer even seeing photos in front of a computer screen but in the much smaller one of a mobile phone.

I think back to when I worked for the government and had an office. Today my office is the street.

Many photographers who use the Canon EOS system do not intend to switch to other cameras because of the colors and aesthetics that Canon ensures. After almost a year using Canon I can say that compared to other camera manufacturers I can affirm that Canon gives a more natural result, obviously, however, taking into account some precautions and here I speak directly to JPG shooters.

As photographers we also deal with how the space is filled within the frame.

Now you can purchase this beautiful print

Having well over 10 years of career as a professional photographer I can say it. It is a secret that is not a secret. Just like my photos what you see is what I get.

I consider street photographers to be completely different photographers from other photographers. A great photographer can be a total failure as a street photographer. And this is because things change completely on the street. Starting from the rules themselves for staying on the street. For this reason I have drawn this pie chart.

About the One to One Street Photography workshop that took place yesterday in Mexico City downtown.

A Street Photography workshop in CDMX with me

“I don’t see photographs when I photograph, I only see life.” (Garry Winogrand, 1979)

For me, street photography is essentially a tool to understand the human being. And from not counting on an excessively thoughtful elaboration as writing can be, it offers a more direct look with fewer filters.

Hey, in this post I will share with you a secret about making street photography.

This is the best moment of the year to book this fantastic travel photograèhy experience

It's terribly hot here in Mexico City these days. It becomes a challenge to just concentrate to take photos so much is the heat.

For me, photography is not the endeavor to create a two-dimensional work of art, but by taking photo after photo, I come closer to truth and reality at the very intersection of the fragmentary nature of the world and my own personal sense of time. - Daido Moriyama

An unpretentious shot at Tulancingo because photography is also this.

Two numbers, in the sense of my years. Born March 30, 1975. And an opportunity to make an introspective text on this path of life and photography.

New book available

They told me that my photography cannot be fully understood by those who think that street photography should be relegated only to a nice moment. But I believe and pursue only one thing: a faithful portrait of what the street is.