Film photography has never been just about the cost of a roll. It is about the experience of photographing, the way a film responds to light, the colors or tones it produces, and the relationship we develop with the images we make.

Necaxa vs. Puebla. A photograph about composition, perspective, and knowing when to leave things alone.

Photographing the game that marked the end of Martín Varini’s time at Necaxa.

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This photograph, as you know, made the cover of France Football, May 2026 issue.

I was there for an editorial assignment and I made this shot.

Few shots this morning

I’ve been working on a new black-and-white look to use with my Canon M200. And I ran some tests using photos from the archive. I share the result here.

The fact I am working to my GEOGRAFIE shouldn't lead anyone to think that I am abandoning a certain kind of street photography. But something is certainly changing.

Mexico City is an extraordinary place to photograph, more and more recognized by photographers around the world. But it can be also an easy place to photograph badly.

You know what, guys? I am really tired of reading that today's smartphones produce better images than cameras from ten or fifteen years ago. They don't.

No longer just "street photography highlights," but simply "photography highlights."

GEOGRAFIE is essentially an ongoing quest, a personal need to traverse certain places and view them in a particular way

My search for places and states of mind continues.

My iPhone 8 is dead. So I should buy a new smartphone: the choice made fast & furious when I was supposed to catch a plane just two hours later.

Here we go

For some time now, I have been thinking about the way I want to approach my photographic workshops and expeditions.

The Aguascalientes trip

I have just returned from Aguascalientes after three intense days on assignment.

Tomorrow, I will travel again.